Critical Acclaim for ‘La Forza del Destino’ and ‘Turandot’ at the Metropolitan Opera – Sky Bulletin

The Metropolitan Opera made a grand return from its winter break showcasing two staple Italian operas in contrasting productions. Mariusz Treliński’s modern, dark vision of Verdi’s La Forza del Destino was succeeded by the Met’s lavishly classic take on Puccini’s Turandot, directed by Franco Zeffirelli. Both provided a feast for the senses, combining visual splendor with acoustic brilliance.

Verdi enthusiasts were treated with the first Forza staging since 2006. Mariusz Treliński ushered the opera into the present, highlighting the chaotic disintegration of life in the wake of violence and death. The production’s revolving set pieces and the inclusion of modern warfare elements like helicopters juxtaposed the opera’s themes and traditional score in a compelling marriage of old and new.

Despite some projections from Bartek Macias appearing unnecessary, the singers gave sincere and vigorous performances. Jagde and Golovatenko displayed powerful chemistry during their intense duets, and Lise Davidsen made an impressive company debut. Treliński’s staging decisions, including setting the overture as a precursor to the story and casting Soloman Howard in dual roles, contributed to a distinctively fresh reimagining of the classic work.

Yannick Nézét-Seguin steered the musical narrative, even as occasional missteps in pacing and orchestration occurred. Despite this, notable contributions, such as Anton Rist’s clarinet solos, brought grace to Verdi’s soaring melodies. Nonetheless, some criticized Nézét-Seguin’s adherence to an abridged tradition, excising sections of Verdi’s score, including parts of Melitone’s role.

Contrastingly, Zeffirelli’s grandiose vision for Turandot dazzled yet again, heralding bombastic ovations for its sets. The new casting brought dynamic energy to the timeless story, specifically the conducting of Oksana Lyniv, who became the first female conductor at Bayreuth Festival. Her interpretation of Puccini brimmed with the composer’s desired lush and aggressive soundscapes.

Pankratova’s portrayal of the titular princess was marked by both vocal majesty and initial nervousness. Baek’s Calaf resonated with the audience’s expectations, leaving an anticipation for future performances. Vitalij Kowaljow’s Timur and Kurzak’s Liù added to the opera’s emotional depth, though the latter’s performances hinted at over-saturation, given her back-to-back Puccini heroine portrayals.

As La Forza del Destino and Turandot continue their runs, fans are encouraged to catch the initial rounds of performances before cast rotations bring new interpretations to these celebrated productions.

La Forza del Destino and Turandot run through March 29 and June 7 at the Met Opera, respectively.